![]() ![]() ![]() How can I convert MP4 video files to Apple ProRes on a Mac?Ĭonvert Sony handycam. Step 5: Click ‘Open Folder’ to get generated ProRes QuickTime files for using in Final Cut Pro X/7/6, Premiere Pro or DaVinci Resolve with optimum performance.įCP 7 not recognizing my MXF file – convert MXF to ProRes Step 4: Click ‘Convert’ to start H.264 footage to ProRes MOV conversion. If necessary, you can click ‘Settings’ button and go to ‘Profiles Settings’ panel to modify video and audio settings like video encoder, resolution, video bit rate, frame rate, aspect ratio, audio encoder, sample rate, audio bit rate, and audio channels. Step 3: Adjust video and audio settings (for advanced users) Used in offline workflows.Īpple ProRes 4444 – Edit and finish 4:4:4 material. This H.264 to FCP Converter offers a couple of ProRes formats for users to choose from, including Apple ProRes 422, Apple ProRes 422 (HQ), Apple ProRes 422 (LT), Apple ProRes 422 (Proxy), and Apple ProRes 4444, you can select one as target format depending on your requirement in post production.Īpple ProRes 422 – Higher quality than Apple ProRes 422 (LT) Īpple ProRes 422 (HQ) – Keep original video quality for editing in FCP Īpple ProRes 422 (LT) – Get a smaller file sizes than Apple ProRes 422 Īpple ProRes 422 (Proxy) – SD levels – 480i/p and 576i/p. Important: If you’ve loaded a number of video clips to do batch conversion, please do remember ticking off ‘Apply to All’ option before you start. The ProRes codec is full compatible with FCP X and its former version FCP 6, FCP 7 as well as Adobe Premiere and DaVinci Resolve. Step 2: Select ‘Apple ProRes 422 (*.mov)’ as output format under ‘Final Cut Pro’ column. Although not even HQ but 422 itself would still be fantastic. When its main interface comes up, click ‘Add File’ to load source video to it. Transcoding to ProRes 422HQ is visually imperceptible in visual quality, the codec is designed to hold up through multiple generations, and doing that over making proxies would be so much better for doing color correction/grading, and the export speed would be far superior. Step 1: Run Video Converter for Mac as a professional H.264 Video to ProRes Converter. How to transcode H.264 video to Apple ProRes on Mac? I really like your converter.” – Michaelĭownload a free trial of Video Converter for Mac I mostly convert H.264 MOV/MTS movies to ProRes video or. I am very happy with the software, the user interface is easy to understand, the guides are very easy to follow and understand and the quality of the H.264 video files are kept intact when converting. “I started using the software straight away. Thank you so much for a perfect product!” – Kevin I will definitely be recommending you to everyone I know when they ask. ”The Program is very good and the only one which converts H264 MPEG 4 AVC video recordings in a correct and good quality way to Apple ProRes 422 for editing in FCP X. This program works great as an H.264 to ProRes converter, features very simple and intuitive interface, and offers optimized ProRes output for editing in Final Cut Pro (X) or Adobe Premiere. In this post, we would like to presents how to use Video Converter for Mac to transcode H.264 footage to Apple ProRes 422 maintaining original quality. If your camera or camcorder captures video files in H.264 compressed recording format such as MOV and AVCHD (.MTS/M2TS), you may need to convert them to ProRes first so as to use them flawlessly in editing programs like Final Cut Pro, DaVinci Resolve and Premiere Pro, that’s where a third party H.264 to ProRes converter comes in. It guides you through the process of converting H.264 video files to Apple ProRes for editing in Final Cut Pro, Adobe Premiere and DaVinci Resolve without quality loss. It's real evident in the Luma wave forms as well.This entry was posted in Encode H.264 video to ProRes Video file conversion on by RichardĬame upon issues while using H.264 camera/camcorder footage in your editing software? Read this post to find out a solution to your problem. ![]() I've gone back and noticed this is true for all my footage, am I doing something wrong in Premiere? or does Premiere still not know how to properly process 10-bit 422 GH5 files? You MIGHT have to load the files side by side or flip between the two to see the difference but it's there, enough to mess with color grading. Below are both screenshots, one taken in Premiere one taken in Final Cut, both are completely ungraded, I simply loaded each one and took a screen shot. Just for a sanity check I loaded the original file into both Davinci Resolve and Final Cut pro and those programs matched the look of the ProRes file. When I converted one of the files to Prores 422 HQ I noticed a brightness/contrast different between the original and the Prores file when imported into Premiere. I noticed that when using either Long GOP 10bit files from the GH5 or the new All-Intra 10-bit files (V-Log L color profile) in Premiere the files were looking a bit odd. ![]()
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